...For non-CS Lewis aficionados, here is a recap. The four children enter Narnia through a wardrobe and find themselves in a land frozen into "always winter, never Christmas" by the white witch, (played with elemental force by Tilda Swinton). Unhappy middle child Edmund, resentful of being bossed about by his older brother, broods with meanness and misery. The devil, in the shape of the witch, tempts him: for the price of several chunks of turkish delight, rather than 30 pieces of silver, Edmund betrays his siblings and their Narnian friends.
The sins of this "son of Adam" can only be redeemed by the supreme sacrifice of Aslan. This Christ-lion willingly lays down his life, submitting himself to be bound, thrashed and humiliated by the white witch, allowing his golden mane to be cut and himself to be slaughtered on the sacrificial stone table: it cracks in sympathetic agony and his body goes missing. The two girls lay down their heads and weep, Magdalene and Mary-like. Be warned, the film lingers long and lovingly over all this.
But so far, so good. The story makes sense. The lion exchanging his life for Edmund's is the sort of thing Arthurian legends are made of. Parfait knights and heroes in prisoner-of-war camps do it all the time. But what's this? After a long, dark night of the soul and women's weeping, the lion is suddenly alive again. Why? How?, my children used to ask. Well, it is hard to say why. It does not make any more sense in CS Lewis's tale than in the gospels. Ah, Aslan explains, it is the "deep magic", where pure sacrifice alone vanquishes death.
Of all the elements of Christianity, the most repugnant is the notion of the Christ who took our sins upon himself and sacrificed his body in agony to save our souls. Did we ask him to? Poor child Edmund, to blame for everything, must bear the full weight of a guilt only Christians know how to inflict, with a twisted knife to the heart. Every one of those thorns, the nuns used to tell my mother, is hammered into Jesus's holy head every day that you don't eat your greens or say your prayers when you are told. So the resurrected Aslan gives Edmund a long, life-changing talking-to high up on the rocks out of our earshot. When the poor boy comes back down with the sacred lion's breath upon him he is transformed unrecognisably into a Stepford brother, well and truly purged.
Tolkien hated Narnia: the two dons may have shared the same love of unquestioning feudal power, with worlds of obedient plebs and inferior folk eager to bend at the knee to any passing superior white persons - even children; both their fantasy worlds and their Christianity assumes that rigid hierarchy of power - lord of lords, king of kings, prince of peace to be worshipped and adored. But Tolkien disliked Lewis's bully-pulpit.
Over the years, others have had uneasy doubts about the Narnian brand of Christianity. Christ should surely be no lion (let alone with the orotund voice of Liam Neeson). He was the lamb, representing the meek of the earth, weak, poor and refusing to fight. Philip Pullman - he of the marvellously secular trilogy His Dark Materials - has called Narnia "one of the most ugly, poisonous things I have ever read".
Why? Because here in Narnia is the perfect Republican, muscular Christianity for America - that warped, distorted neo-fascist strain that thinks might is proof of right. I once heard the famous preacher Norman Vincent Peel in New York expound a sermon that reassured his wealthy congregation that they were made rich by God because they deserved it. The godly will reap earthly reward because God is on the side of the strong. This appears to be CS Lewis's view, too. In the battle at the end of the film, visually a great epic treat, the child crusaders are crowned kings and queens for no particular reason. Intellectually, the poor do not inherit Lewis's earth...
Thanks to Pharyngula for the link.
One other item of note: here in the Homeland, it pays to keep anonymous, because the Lions are cowardly bullying brutes who think Might Makes Right.
Just another Reality-based bubble in the foam of the multiverse.
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1 comment:
I didn't forget the racism, it's such an integral part of the fable I assumed the audience here would see it immediately.
Thanks for pointing it out.
That was a really big problem with the Tolkien mythos too, but at least he ranked the brunette hobbits and elves of Elrond's family, and elves and hobbits in general, as better or in some cases extremely worse than humanity.
My reading of Tolkien was that there were goodies and baddies of all races, and even the baddies were just corrupted by Sauron-Morgoth.
Lewis, on the other hand, makes no such distinction.
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